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View all search resultsDirector-writer Angga Dwimas Sasongko and lead actors Laura Basuki and Reza Rahadian talk about the daunting task of bringing Ika Natassa’s polarizing novel to the big screen.
ome might say that novelist Ika Natassa’s Heartbreak Motel is her most polarizing outing yet, perhaps even her most devoted fans.
Bibliophiles have been vocal in their reviews of the 2022 novel on the literary cataloging platform Goodreads, where 307 members had given Heartbreak Motel only three stars or less at the time of writing.
Many of them took particular issue with the novel's narrative style and characterization of its heroine Ava Alessandra, an acclaimed actor who is secretly dealing with a troubled past and emotionally wrought relationships.
Still, true to Angga Dwimas Sasongko's disposition as a filmmaker over the years, the polarizing reception of Heartbreak Motel did not deter him from adapting the novel into a cinematic experience. As he said candidly on July 18, "I don't care."
Turns out, anything polarizing is exactly Angga's cup of tea.
"Well, most of my films were polarizing," he continued, with a chuckle. "And it's OK. There is a risk in a polarizing body of work, and I like that."
Reflecting humanity: Laura Basuki portrays Ava Alessandra, an acclaimed actress dealing with a dark past and emotionally wrought relationships, in a scene from ‘Heartbreak Motel' by director-writer Angga Dwimas Sasongko. (Courtesy of Visinema/-)AI can make our work faster and more polished. But by eliminating the struggle, mistakes and imperfections, it may also be eliminating some of the ways we learn and become better workers.
To become a professor to Gen Z today is to take a disorienting journey to an exotic land. First of two parts.
Jakarta now has more trains and stations. But getting to them from Depok, Bogor, Tangerang or Bekasi still means an ojek or a car ride.
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